On the 100th anniversary of her great-grandfather’s dying, Sarah Fabergé talks about his enduring legacy and the journey of the model
As for Peter Carl Fabergé, the famed goldsmith to the Russian Imperial courtroom, a lot has been documented about his life, in books, movies and interviews. The first egg he made for the Russian Tsar Alexander III (commissioned for his spouse) in 1885, was reportedly based mostly on the 18th-century Saxon Royal Egg that he had seen within the Green Vault museum in Dresden.
There are the Easter eggs he created over three a long time in St Petersburg, common from three-coloured gold, rock crystal and different high-quality supplies, encrusted with valuable stones, and sometimes concealing a scrumptious shock. More than 150,000 objects, from clocks and picture frames to items of jewelry, had been made on the similar time, with Carl Fabergé main a staff of proficient artisans. He died in Switzerland on September 24, 1920, two years after he fled from the Bolsheviks. And then started the journey of his 50 Imperial Eggs. To Moscow, the US and different elements of the world. While a few of these bejewelled beauties are nonetheless lacking, many could be considered up shut at Moscow’s Kremlin Armoury and the Fabergé Museum in St Petersburg.
In good firm
- According to Géza von Habsburg, Fabergé’s curatorial director, each Fabergé workmaster had his personal speciality.
- “In my opinion, the self-taught Russian, Mikhail Perkhin, head workmaster of the firm from 1886 to 1903, was the firm’s most outstanding craftsman.”
- “The originality of his designs, the wealth of materials used, the exquisite execution of the large majority of his works and the opulence of the enamel colours used, have no comparison in Fabergé’s oeuvre.”
- He additionally highlights Johann Victor Aarne for his detailed work and “easily recognisable varicoloured gold garlands of flowers”.
“There are so many stories to absorb about Fabergé,” says Sarah Fabergé, the great-granddaughter of Carl Fabergé, once we ask her concerning the model’s legacy. “While it’s a French title with a Russian soul and a world repute, having grown up in England, I’m notably having fun with the e-book Fabergé in London: The British Branch of the Imperial Russian Goldsmith by Kieran McCarthy,” she says. Sarah, 61, has been representing the model at a few of the most glamorous occasions all over the world. “My great-grandfather described himself as a shopkeeper and in this way, connecting with and listening to our clients and partners is what I find the most energising and it is vital to our business,” she says. While the Fabergé Hen Egg is one in every of her favourites, 1983’s Octopussy, tops her record of popular culture references. “Being part Russian and a James Bond fan, the use of a Fabergé Egg in a Bond film for me is the perfect blend of mystery, storytelling and intrigue. Reality meets fantasy. We all need a bit of both!” she concludes.