With zero fuss and fanfare, the Oscar winner has unleashed on us a musical twister, that may absolutely give us hope, whilst we are social distancing and conserving ourselves abreast with Coronavirus updates.
The different speciality of this 14-track album is that it places the highlight on two supremely-gifted vocal abilities in Shashwat Singh and Bela Shende.
Shashwat kickstarts musical proceedings in the hummable ‘Teri Nazar’ that begins with a whiff of Charukesi raga, which takes you again to the magical Rahman that gave us ‘Udhaya Udhaya’ (Udhaya) and ‘Aahista Aahista’ (Swades). There’s longing and pining in the vocals and with the flute as accompaniment, it hits all the appropriate notes.
‘Jwalamukhi’ has been doing the rounds for a while now, and for the appropriate causes. There are two variations — one with Arijit Singh, who delivers predictably, however the Poorvi Koutish contribution stands out for its vocal texture.
If ‘O Aashiqa’ has a tightly-knit refrain that metamorphoses right into a neat melodical line, ‘Sofia’ has an old style attraction earlier than it turns into a beast of its personal, with the phrase ‘Sofia’ repeatedly hitting house musically.
With ‘Nayi Nayi’, Rahman faucets into the world that he created so exquisitely with 2011’s hit flick Rockstar. Shashwat Singh’s vocals stand out in this heavy-on-guitars piece that might have nicely made it right into a modern-day Aamir Khan or Shah Rukh Khan movie and grow to be a blockbuster tune.
Singer Armaan Malik will get a tricky problem in ‘Humnawaa’, an intricately-designed monitor that wants various listens to get into your head. So does ‘Soja Soja’ (Shashaa Tirupati). The drawback with many AR Rahman soundtracks, one thing well-known with listeners of movie music, exists in 99 Songs as nicely — it requires various listens to get into its soul. But when you dedicate that point, which you have got aplenty now due to ‘social distancing’, you’ll be offered.
Bela Shende (the opposite vocal choose of the album) goes all devotional in ‘Sai Shirdi Sai’, an ‘Oh Paalanhaare’ sort of tune that in some way doesn’t match into the scheme of issues right here. She greater than makes up for it with ‘O Mera Chand’, one other throwback melody that’s proper up there to match with the in-form Rahman albums of Meenaxi and Taal. ‘Gori Godh Bhari’ brings again classic Alka Yagnik, however this classically-inclined quantity, with traces of raga Bageshri, would most likely not enchantment to the favored musical palate.
Among the stand-out items in 99 Songs is ‘The Oracle’ — an instrumental piano piece that builds some good momentum earlier than reaching a grand crescendo. In these times of disaster, all one requires is to plug your earphones and take heed to ‘The Oracle’. The magic in its notes provides us hope.